Arquitectura y música, interrelación de espacios acústicos y sonoros para la creación del auditorio de Ibagué como memoria y resignificación de la capital musical.

Abstract

This research project objective aims to demonstrate the relationship between architecture and music, two disciplines known as fine Arts, whose encounters and parallelisms give foundation to creating an architectural space where each art's meaning is considered. Thus, music, known as the art of time, and architecture as the art of space (Jimenez, 2017). In Fact, the study of acoustics will be essential to establish a more tangible connection between these arts; it allows us to understand the common journey that sound has had in their historical trajectory and, in parallel, the foundation for the use of methods for the creation of acoustic architectural spaces. Hence, it will be essential to study architectural works and characters representative of musical architecture, such as Pitagoras, Vitrubio, Le Corbusier, Hans Scharoun, among others that will support and argue the design of the project. Based on the above, the type of research proposed is mixed and exploratory since it possesses quantitative and qualitative characteristics, which will help make a historical comparison of the important moments in acoustic architecture. In this context, we take the Musical City of Colombia, Ibagué, as a place of intervention and study, a place that allows us to demonstrate the importance of music in Architecture based on its tradition and cultural heritage, conformed by a series of events and artistic scenarios, making possible the creation of the Auditorium as integration and formation of knowledge from the formal and functional for citizens and tourists.